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Dance Luminary Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I'm Not Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly straight-backed, his arms muscular beneath a simple tee. On stage, ballet dancers can appear as powerful gods, yet often offstage they are petite. Not so Ball, whose tall stature is part of his demand for princely characters and partnering. Possessing delicate traits and intense eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is experiencing the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the company and was promoted annually, reaching the highest position of lead dancer in 2018. He has relished taking on substantial characters, especially the emotional turmoil found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next starring appearance is in a talk, in an "In Conversation" series aiming to offer intimate perspectives into a performer's craft. He will guide the audience through a part, demonstrating his cognitive workflow while execution. Even in more comedic ballets, the test is profound. "A classic ballet is one of the toughest technically," he states.

The Mental Struggle and After the Show Emotions

How does he feel following a show, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the juice out of it, and get lost in the character, quite often I do feel self-conscious afterwards. Following an intense role I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. Yet a dance maker previously remarked on a "kind of suffering in him." Does this exist? "I'm quite active in general, but I do have a melancholy streak," he confesses. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."

Early Drivers and Creative Influences

Ball's tenacity stemmed from youthful setbacks. Not doing well in contests at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming endeavor is creating his own dance works. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from literature, compositions, and painting.

Close-Up Dance and Private Dynamic

He additionally is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t usually matched on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Perception

On Instagram, fans can see videos from his dance films and photos that highlight a sculpted physique. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on various ways.

Ball describes his younger self as "eager for success." Has it met his hopes? "I feel very aware of how life is a separate thing to the dreams you had as a young person," he reflects. He likely has about decade of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."

About the author

Blake George

A seasoned journalist specializing in UK policy and social trends, with over a decade of experience in investigative reporting.

Pulse UK

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